No DDR in Bangkok

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Although our night train from Bangkok would come through Ayuthaya before heading to Chiang Mai, we thought it safer to assume that if we wouldn't show up to claim our bunks in Bangkok, they would be hired out to potential passengers trying to leave Bangkok. We had to get to Bangkok. It's less than 80km from Ayuthaya to Bangkok. The first trip took us to the northern bus station, a good hour away. Then, another hour from the bus station to the main train station.

We went in search for a DDR machine and SF City, something of a Thai teenager's wet dream, seemed the best bet. Many Bemani (rhythm) games from Japan, including Guitar Hearo, Pop 'n' music and many more, but no DDR. Yes, one slightly hidden Pump It Up machine, but PIU simply doesn't do it for me.

After a long day in Bangkok, we finally managed to track down our seats on the train to Chiang Mai. Only to find that what we assumed was wagon 2 turned out to be 2/1, right between wagon 3 and 2. I mean, really, wagon two slash one?

Thought of the day

The good thing about bunk sizes in trains in Thailand is that they're big enough to always leave room for a cute little Thai girl.

Caught in a tree

During my last visit to Chiang Mai in June, I read the book Falcon, a novel based on the life of a Greek sailor who eventually settled in Thailand, in the service of the king of Siam. Then, the nation’s capital was at Ayuthaya, an island city at the confluence of the Chao Phraya, Lopburi and Pa Sak rivers. The island, man made, is quite large and very sparsely occupied. It’s, now, after the sacking by the Burmese in the late 18th century, a city of many impressive ruins with those ruins scattered around widely.

Renting a scooter, we drove around town, cherry-picking the sites of interest, including huge buddhas, a buddha head caught in the roots of a tree, buddha shrines (do you get the leitmotif?) and whatnot. The only thing we couldn’t find was the former Dutch settlement, marked on our map, but not on the street.
The kings of Siam used to be rather restrictive as to who could enter their royal capital, not too much unlike the Japanese. However, they did see the benefits and the possibilities of world trade and the potential risks of colonization. So a relative trickle of foreigners were allowed to settle, where some nations were more favored than others, hence the Dutch, Japanese and Portuguese settlements. If my memory serves me right, Brits were also favored, but if they had a settlement in Ayuthaya, theirs didn’t even make it to our map.

Thought of the day

The good thing of your wife being schizophrenic is that you can have sex with multiple women without her getting mad.

En route to the old capital of Siam

These people seem to have a thing for converting parking garages. Our first hotel choice in Ayuthaya was fully booked and we were directed to ‘Sunrise place’, a few blocks away. Remembering the parking garage converted into a furniture store in Kanchanaburi, this was a parking garage converted into a hotel. The reception area and restaurant took up the ground floor of the garage, with the rooms off to the side.
The place is not too bad, but by no means impressive, bringing into question the altruistic nature of the owner of ‘Baan Lotus’, which was our first choice.

There’s the possibility of taking a fast (I suppose) tourist bus from Kanchanaburi to Ayuthaya, a ruin infested former capital of Siam and world heritage site, for which tickets set you back 350B (7 euro). Alternatively, you can take a local bus to Suphanburri, where you have to switch to another local bus to Ayuthaya. Less than 100B in total, but it did take us 4.5 hours. My guess is that the fast bus, assuming it takes the shortest route and doesn’t stop on the way takes 2.5 to 3 hours.

And then there’s Thai transliteration into Latin script. I’ve now seen the former capital spelled Ayuthaya, Ayuttaya, Ayutthaya and Ayudaya. For several years now, there’s an official, singular, way of converting Thai to Latin script. Use it!

Walking with tigers

After having walked with and cuddled lions in both South Africa and Zimbabwe, the next step up can only be to walk with tigers. Oh wait, that’s exactly what you can do, just 40km out of Kanchanaburi, at the tiger temple. Only some 8 years back, a lone monk started to care for a nearly dead tiger cub and now, not only plenty tigers, but also deer, boar, buffalo and then some roam the grounds, all as in a perfect Eden. Well, almost. The tigers are mostly on chains or lines and, mostly teenage, caretakers are always nearby. Still, it’s quite impressive to hug the head of a mature tiger and walk away with all your limbs still on your body and intact.

We also stopped at the nearby Prasat Meuang Singh Historical Park, ruins of a 13th century Khmer (Cambodian) outpost. Interesting, and worth visiting if you’re in the area, but not too impressive in its own right.
Shortly before arriving at the park’s entrance, we ran a flat, driving around on a hired scooter. The roads are good, but trying to find a bike repair shop in the middle of nowhere can be a challenge. But luckily, a tiny, with the emphasis on tiny, angel came to help us. I drove his bike with him behind me and Betsy slowly slowly drove on ours, with the flat tyre. A few kilometers on a side-road, the mini-man directed us to a bike repair shop where, within minutes, the mechanic had the inner tube replaced. Some waiing (giving thanks with the hands in prayer mode) later, we were off again, back towards the park.

On the outskirts of Kanchanaburi, there’s a real mall. Bangkok is full of them and Chiang Mai also has a few, but Kanchanaburi is rather tiny. Not tiny enough, or so it seems, as the huge sculpted dragon on the road side invited every passerby to come over and have a good time.
Or so it seemed. The Castle Mall was an urban ruin, except for one small corner where a hot pot restaurant still operated. Beneath the mall, the covered garage had been turned into a huge impromptu furniture store.

Above the front entrance of the mall, a small, circular, bulbous mirror reflected the world outside. I’ve seen this decoration on several houses in the area, but don’t understand what it means.

Likewise, wats (temples) in the area tend to have one building with a tall, narrow, chimney like tower on it. No idea why.

The floating nun

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Struggling with saddle pain after having rented a bicycle for two days. We visited a second POW cemetery, just outside of Kanchanaburi, had lunch at probably the best pastry shop in the region, Srifa, near the bus station, and then went in search for the floating nun. The Lonely Planet let us down, supplying incorrect information on several fronts, but in the end we found the right wat (temple). Some 7 kilometers out of town, a fat Thai women floats in a pool the size of a bubble bath and strikes meditating poses.
Apparently, she's the apprentice of the original floating nun, who, it is said, meditated while floating in a pool of water. The current one, who doesn't seem to actually be a nun as she's got a thick mop of hair where nuns tend to be bald, bobs around in a specially created bath and her actions are more comical than heavenly. Unintentional, I'm sure.

Close to the cemetery, we bought a drink from a vendor who had a squirrel on a two meter long chain as a pet. In the evening, enjoying 10B shooters at an outside bar, we sat next to a Thai who had a big black scorpion as a pet, not tied to any rope or chain, the animal freely walking around on the owner's body.

Building the Death Railway

And so this is Christmas. Bloody hot.
We went to see three museums on the building of the bridge on the river Kwai as well as the bridge itself and one war cemetery. Of the three museums, particularly the Thai-Burmese Railway Centre is worth visiting.

All three museums on the Death Railway clearly show that history is made by those who record it, as all three museums' subject matter are the many allied prisoners of war (POWs) who worked and died while building the Death Railway for the Japanese, trying to supply Burma during the second world war. Of course, the whole episode was very dramatic and one of history's black pages, but the strong emphasis on the allied dead passes by the appalling number of non-POW dead as a result of the building of the railroad.
In total, around 16000 allied POWs are believed to have died during the 18 months it took to build the railway. That figure is quite accurate and practically all of the men killed are known by name.

Besides the allied POWs, who were forced to work on the railway, a large regional labour force was also recruited, working under similar grueling circumstances as the POWs. In total, it is believed, no less than 100.000 non-POWs died while building the Death Railway. That's right, more than six times the number of POWs. And almost nary a mention in any of these three museums of all these regional laborers. What's worse, because the Geneva convention didn't require the Japanese to keep records of these workers, practically nothing is known of this workforce. Not their names nor their origins.
Yet, in remembering the dead 'on' the river Kwai, we remember the Brits, Aussies, Dutch and Americans.

Long short journey

A long journey for such a short distance. From the hotel in Bangkok, we walked to the nearest metro station, from where we took the subway to a connecting skytrain station. From there, the skytrain took us to the end of the line, where we switched to a cross river ferry, which turned out to be something of a tourist boat. After getting of the impromptu river cruise some 25 minutes later, we walked to where the train station used to be, where we ended up taking a shared taxi to the temporary location of the train station. The train then took us on a journey to Kanchanaburi station, from where we walked to our hostel.
As the crow flies, the whole distance is less than 200km. The whole trip took us close to eight hours.

Kanchanaburi, the site of the actual bridge on the river Kwai, is a bit touristy.

Christmas on the river Kwai

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Originally having hopes for visiting Japan, Malaysia or Singapore, we eventually opted for staying inside Thailand's borders and are now going to see the bridge on the river Kwai, where, during the second world war, more than 100.000 prisoners of war lost their lives in building the infamous death railway, of which said bridge formed a part. The area around the town of Kanchanaburi supposedly is very popular with tourists, so we'll see if that's a blessing or a curse.

We took a night train to Bangkok, this time getting one of the lower bunks in an aircon wagon, and I actually had a very decent night's sleep. The hotel in Bangkok, the Blooms, isn't too fantastic, but the sheets are clean and the bed is decent.
As last weekend, Thailand is dry country this weekend. Today, Sunday, saw the elections with last weekend the absentee voters being allowed to cast their votes. Here, around elections, alcohol is officially not allowed to be sold and although the rules are not strictly obeyed, just when you'd want a beer or a nice mixer, chances are you'll have to very look for a place serving drinks. Typically, bars and restaurants catering typically for foreigners tend to be easier going.

In Bangkok, we had what probably was our worst dinner experience in Thailand, yet. For days, I'd been pining for a good Italian pasta so when we headed over to soi (side street) 11 on Sukhumvit, where Felicia, a colleague of mine also staying in Bangkok, had her hotel, I was happy to find not one but two 'real' Italian restaurants.
The area is a bit more upmarket, but I was willing to shell out the money for a good meal. Felicia had had dinner with Tom, yet another colleague, who had lived in Bangkok before, and he told us that 'Pizzeria Limoncello' was a very good restaurant, at least, it was two years before. Now, it was crap.
The drinks were extremely overpriced, the food was a bit overpriced. The 'prosciutto' turned out to be regular ham, the rocket (salad) with dried tomatoes turned out to be very sparsely populated with dried tomatoes and, the kicker, a mandatory 10% service charge and 7% tax were added to the bill. Reading the menu again, tiny lettering near the bottom did mention tax and service charge, but not percentages.
In short: don't eat at Pizzeria Limoncello in Bangkok Thailand. It's crap.

Fake iPod

Betsy got a fake iPod shuffle today. It looks and feels exactly like an iPod shuffle. The only difference being the lack of an actual shuffle button and the price: Four of Betsy's for one real shuffle. Fake iPod nanos, for less than a quarter of the real price but with the right logos and an interface that almost matched the real interface were on sale as well.
Oh, Betsy's iPod had one song preloaded: 'Butterfly', a DDR song.

Whisky in the backpack-o

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Finishing our last kips, the kip being the national currency of Laos, I had bought a bottle of whisky the night before, for a shocking whole dollar. According to the label, the whisky was “smooth and mellon” (this is not a typo on my part) and was “blended and bottled by an expert from Australia”.
I figured I’d had to try to check it in as regular luggage to get it back to Thailand, but how much I tried to get it checked in, I was almost physically forced to put it in my hand luggage. At Luang Prabang airport, where I figured I’d have to go through the same play, my hand luggage wasn’t even checked.

Visa success

Today saw us getting back our passports, complete with the much hoped for visas. The queue was there again, but was resolved much, much faster. We were in and out in under 15 minutes.

Time to get a visa

Just to be on the safe side, we made sure to arrive at the Thai consulate shortly before it opened at 8:30am… to find a queue some 70 meters long. Surprisingly, a significant portion of the people waiting in line were black. All of them were turned away upon handing over their papers and, indeed, you see very few blacks on the streets of Thailand. HDN employs three black Africans and that’s probably around half the black population of Chiang Mai.
Africans (and South Americans) need to get their Thai visa in their land of origin or in the nearest country with a Thai consulate. Did these guys come all the way from Africa to Laos to get a Thai visa? I don’t think so. To me, it seems like something dodgy is going on here and it doesn’t surprise me they all were turned away.
Incidentally, there are surprisingly many blacks on the streets of Vientiane, but not Luang Prabang. That suggests these guys are not there as tourists.

So after standing in line for two hours, it was finally our turn. We handed over our papers and moved over to another queue to pay for the visas. Moving to the next queue, the first line was still some 40 meters long. Half an our later, having paid, the first line was still over 20 meters long. This is one popular consulate.

On several occasions, walking around the city, I had to remind myself of not being in (French) west Africa. The colonial feeling and architecture have strong parallels, not to mention the climate, which is much more humid than Chiang Mai.
Not that there’s too much to see in town. True, it’s a pleasant city, but the tourist sites are limited to Patuxai, a triumphal arch, built with USA donated concrete, intended for building an airport and sometimes called “the vertical runway”, Wat Si Saket, with, literally, thousands of buddha images and Pa That Luang, an impressive golden stupa and the most important national monument in Laos.

Left to fend

In Vientiane, it’s the same old, same old. HDN was supposed to have booked a room for us in Vientiane, but that has proven to be unsuccessful. Turns out that a ‘booking confirmation’ was actually a message saying the credit card used, had bounced. I ended up having to pay the room myself, HDN being unable to pay directly from Thailand.

Surprisingly, prices of food and accommodation seem to be more expensive than in Thailand. Then again, maybe that’s just because of the French influence. Being French and colonial, can you really dine without table silver, good wines and even better tables and chairs? Or then again, the higher prices are more likely the result of less competition in the tourist sector and a strong separation of the tourist industry with the regular economy. In Chiang Mai, I get my coffee from coffee shops where the Thai get their coffee. I get breakfast, lunch and, regularly, dinner, at places where Thai get their food too. In Laos, it seems to be hard to eat and drink where the Lao eat and drink, hence the higher tourist prices.
And an important industry it is, the tourist industry. Just getting an entry visa for Laos costs 36 dollars, although that’s nothing compared to what non-Europeans now have to pay for a visa to the US, around 130 dollars.

Laotian food is surprisingly good, dare I say better than Thai. Khai paen is dried river weed, fried in seasoned oil, topped with sesame seeds and served with jaew bawng, a thick condiment made with chillies and dried buffalo skin. Very tasty.
Laap is a very nice spicy salad from minced fish, mixed with fish sauce, small shallots, mint leaves, lime juice, roasted ground rice and chillies. And that’s just two dishes.

Visa run to Laos

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We’re fleeing Thailand once more. Tourist visas, issued on entry, are only valid for 30 days. Easy to overcome if you apply for a visa before entering the country, but as nobody told us in time, this semi-paid vacation is our only way of prolonging our stay in Thailand.
Hopefully, Betsy will now get a 60 day tourist visa, valid until after her expected return to Holland. I’m applying for a non-immigration visa, which is supposed to allow me to stay in the country for longer periods of time.

There are no direct flights from Chiang Mai to Vientiane, the capital of Laos. Either you fly through the former royal capital of Laos, Luang Prabang (population: 26.000), or you fly through Bangkok (population: 7 million).
A third option is to take a domestic flight to Udon Thani, from where it’s a two hour drive to Vientiane. And then there’s the option to drive all the way, from Chiang Mai. A mere 14 hours on the road.

We’re staying one day in Luang Prabang, while it’s a public holiday in Thailand and the Thai embassy in Vientiane is closed. And Luang Prabang comes highly recommended. Lonely Planet calls the town “a tonic for the soul” and, indeed, it is a very mellow town, assuming you can ignore the hordes of tourists crowding the main street and the top of Phu Si hill, in the middle of the village, around sunset. The town is on the Mekong shore and one of its attractions is the plethora of restaurants on the riverbank, overlooking the river and the hills on the other side.
The Mekong, originating on the Tibetan plateau, flows through Myanmar, Laos, Thailand, Cambodia and Vietnam. It’s name is derived from the Thai “mother of all rivers” and houses more species of giant fish than any world river, most notably the Giant Mekong Catfish, the largest recorded coming in at just under 300kg.
The city of Luang Prabang is a UNESCO heritage site, one of the results being a ban on buses and trucks. Also, with only two bars where dancing is allowed, all public venues, including restaurants and bars, have to be closed at 11:30pm and all tourists, and I presume residents too, need to be indoors by 0:00am.
And then there are the hotel house rules, one of which states that the making of sex movies is not allowed.

The city reminds of the Hungarian village of Szentendre, just outside of Budapest. There, too, the local economy is driven by tourism, that village is also on the shore of a mighty river, is quiet and has hills in the area. But more surprisingly, the feeling of the two towns is also similar. And the “Laos whisky” tastes exactly like Palinka.
In the center of Luang Prabang, on Phu Si hill, in the rocks, you can also find some giant-sized footprints, supposedly of the buddha himself.

Entering Laos, on the entry form, we had to fill in what race we were.

Istvan Kantor in Chiang Mai

At the minimal gallery, we were presented with five videos and a live performance. Three videos documented art projects Kantor participated in or initiated and two were original video works, that is, works only existing on video.

A diverse artist with a strong, perhaps constructed, anti-establishment focus, Kantor, since creating his initial works in the late 70s, went through a series of interesting provocative stages and is most well known for his protest actions, using his own blood to deface galleries displaying high profile artworks (although not, so it seems, defacing the artworks themselves). Wikipedia has a good write up on Kantor.
Istvan Kantor also is one of the founders of Neoism (good Wikipedia write up, Neoist website), considered an “underground philosophy”, with strong anarchist, existential and industrial undertones. Neoism (since 1978) promotes the use of the name Monty Cantsin (Wikipedia article) as a ‘multiple-use name’, a name which anyone can adopt, Cantsin being like an “open pop star”, open, interestingly, in the sense of the free software and open source movement.
Kantor himself uses the moniker “action based media” for his work.

The live performance was a bit of a melange of existing work, some of which we were introduced to through the videos we were shown prior to his performance. Kantor touched on a series of subjects, including the definition of art as dictatorial tool, Kantor’s own formative years when he visited his father in Paris while still living in Budapest, contemporary art in Thailand and the Hungarian revolution of 1956, while using many themes and icons from the Neoist movement and his own identity as an artist.
Kantor did his performance wearing a red armband. I figured this a reference to Nazism, perhaps as a play on Neoism. However, Kantor also plays in a musical troupe, the Red Armband.

The performance, highly energetic, destructive, violent, was also well choreographed, if not a bit chaotically managed, and saw an interesting interaction between projected videos and Kantor’s own action. This started with a video of Kantor’s defacing of a wall in what must have been the the Hamburger Bahnhof contemporary art museum in Berlin, while he was actually defacing a wall in the minimal gallery in Chiang Mai where this show was held.
Perhaps Kantor’s main statement as a performance artist seems to be his stance against what is generally accepted as art, in a way an extension of the Fluxus movement. With using typical Thai foodstuffs (sticky rice, dragon fruit, …) in one of his impromptu art pieces I’d say Kantor was suggesting that in Thailand, too, it’s possible to fight the system and that ‘Neoist’ doesn’t have to have the same implementation in Thailand as his interpretation has in Canada.

The first video saw three artists, one of which was Kantor, the other two being Alexander (Sasha) Braun and Richard K., strip naked inside the Art Gallery of Ontario, where, at the time, a temporary exhibition was on with David Cronenburg as guest curator and titled “Supernova: Stars, Deaths And Disasters”. One of the works on show was “Red Disaster” by Andy Warhol.
One of the three artist sang the (socialist anthem) The Internationale, another convulsed on the floor and Kantor went through his papers, talking with one of the guards, confusing her. Kantor had tied vials of blood to his naked body and at some point smears some of the blood from the vials on his body.
One of the three artists proceeds to read part of a manifesto (“The spirit of Andy Warhol told me to do it… The spirit of Sandor Petofi told me to do it…”) before they’re collectively thrown out, booked by the police and charged with a series of smaller crimes.
At the time, the obviously shocking actions got all the attention (here’s a reasonable news article with photo), but the strength of this intervention didn’t come from the activity, but from the underlying manifesto, the supposed reason for this intervention.
The manifesto states that the art world is suffering from a dictatorship run by international arts institutions, deciding for the public what can be considered art and what not, and that nothing short of a revolution by the people, that is, the artists themselves, would allow for breaking this impasse.
Interestingly, just before this intervention happened, it was announced on a livejournal blog.

The second video was a short but heavily edited clip of a musical performance by Kantor, some of it recorded in Ljubljana, Slovenia. Kantor’s soundscaping is strongly based on industrial man/machine interaction and this clip was a typical example of that.

The third video was a well edited registration of a series of performances where Kantor used filing cabinets as a metaphor for today’s computers as an extension to man’s abilities. Kantor believes that today’s society is driven by sex/lust and technology. We use supercomputers but even then still file information in cabinets, printing out important documents to create a safe hardcopy based filing system.
Using an example of one person taking a document out of a filing cabinet, scanning it, mailing it, the recipient printing the document and filing it, Kantor compares this mechanism with sex and created a performance where the movements of a series of filing cabinets are directed by a filing cabinet operated by Kantor or individuals from the audience.
Kantor’s activity in this area is well captured by the term MachineSexActionGroup.

The fourth and fifth videos were original productions and accusations against Canada’s policies towards the arts and the poor, who both saw funding slashed about half a decade ago. The first of the two, it’s musical style and contents, strongly reminded me of works by Kraftwerk, where Kantor’s imagery often reminded me of H. R. Giger’s. The latter in his use of the body (mostly his own) as a receptor for mechanical inputs, through tubes, wires, restrainers and whatnot.

Kantor’s presence in Chiang Mai was facilitated through the artist residency at ComPeung, half an hour out of Chiang Mai and, it is said, the first not-government run artist residency program in Thailand. Kantor’s statement on the ComPeung website is a bit rich, but also supplies a nice insight into his own struggle:

I want to learn about how to internalize revolutionary ideas. To work with the images and identity of our internal revolution, the way in which we conceive of ourselves and society and thus, in creating this inspiration for self and mutual understanding that motivates us to live revolutionary lives.

The King and Neoism

Thai love their King. In fact, they’re crazy for the man. Every Monday, the majority of Thai wear a yellow shirt in honor of their king, Bhumibol’s recent three week hospitalization saw the nation holding its collective breath and many farang feared for Bhumibol not making it to his 80th birthday this last Wednesday.
The man has and celebrations were widespread, if not at all comparable to, say, the queen’s birthday celebrations in the Netherlands. Here, it’s much more distinguished, the most prominent event in Chiang Mai being collective candle burning while singing the national anthem (or perhaps the royal anthem) near Tha Pae gate.

On Friday, we visited the minimal gallery where Neoist Istvan Kantor did a good, aggresive and impressive, show (you can read my write up on the show) which was followed, on Saturday, but a relaxed visit to Doi Sakhet, not unlike Doi Suthep, and ComPeung, where Kantor was doing his one month artist’s residency.

At the minimal gallery, there was also a Lomography photo exhibition. That, together with talking to Betsy’s friend Kunjamon, a photographer intern at Citylife magazine, meant that the seeds for a Chiang Mai photomarathon are now sown.

Loy Krathong

Think of a mix of new year celebrations and carnival parade with some exotic episodes thrown in. That's Loy Krathong.

The jury still seems to be out on the origin of the festival, but one explanation is that it originated in India as a Hindu festival similar to Divali, as a thanksgiving to the deity of the Ganges with floating lanterns for giving life throughout the year. It's of course a funny coincidence that American thanksgiving and Loy Krathong fall on nearby dates.
The krathong is a small raft, perhaps some 15cm in diameter, made from a section of a banana trunk and decorated with folded banana leaves, flowers, candles and incense sticks. Mostly during the night of the full moon of the 12th month of the traditional Thai Lunar calendar, many people release these small rafts on a river, sending it off with all their bad luck, bad thoughts, bad experiences and whatnot. Often, besides a nail clipping and a strand of hair, people put in a little bit of money.
Then, down river, little boys pilfer the stranded krathongs in search for money.
'loy' means 'to float'. Hence the 'Loy Krathong' festival. Betsy had made her own during her last day in Thai language class and together with two of her classmates, we let her krathong float away on the Ping river.

Parades and lights

Here in Chiang Mai, we also had three days of parades. Different villages present themselves with their most beautiful and most beautiful creations.

Then there are the khom loy, man-sized paper lanterns with a thick ring of paper drenched in fuel underneath. Lighting the fuel and waiting for a bit will get the air inside the lantern hot enough to have it float away. For days, khom loy have been released across town and on Friday we got to play with a few ourselves. You are supposed to light one and then let it go, making a wish as the lantern leaves your hands.
The night of the full moon, last Saturday, we went to San Sai, where thousands of people congregate to let their khom loy go at the same time. The whole thing, also with a parade, an outdoor temple and a raised golden buddha in front of a white lit semicircular dome gave me the feeling of attending some personality cult's ceremony, keeping my ears open for some sudden announcement we all would have to kill ourselves, but jointly releasing the lanterns was very touching.

Explosives

Then there are the fireworks. Kids, from five to 75, play with firecrackers, preferably the exploding kind. Most of the week, it's been ok, but Sunday night it was annoying. We sat at the Ping river's shore, enjoying the floating krathons, the parade and some of the fireworks, but couldn't really appreciate the individuals shooting arrows at each other from either side of the river.

Sumo!

It's not everyday you get the chance to see live sumo wrestling. So no choice but to check out the combined world sumo, world women's sumo, world under 18 sumo and asian sumo championships. Three days of fun at the 700 year sports complex just north of Chiang Mai. The complex, incidentally, is not 700 years old but was built in honor of Chiang Mai's 700th birthday in 1996 but hosted the 1995 Southeast Asian games.

Maybe surprisingly, sumo is a very entertaining sport to watch. Games are short, highly energetic and follow in rapid succession. We saw the prize ceremony for the under 18s on Saturday, to make sure we'd know where to go on Sunday, the main day of the event, and arrived early the next day, at around 10am. We ended up staying until six.
Most surprising was the cute Brazilian women's team. One of the three women was seriously overweight, but the other two were really cute: about 1.6m high and under 55kg. And very powerful. One of these two girls was a three times Brazilian sumo champion and a one time judo champion. I wouldn't want to meet here in some dark alley.
But then again, maybe I would.

Asiatopia, Bo Sang, hash and the Golden Triangle

It was a busy weekend. We started on Friday night, when I had to rush home from work to get ourselves to Chiang Mai University in time for Asiatopia, or the International Performance Art Festival & Southeast Asia Performance Art Symposium 2007. Perhaps not too surprisingly, this event, now in its tenth year, does not have a website. Betsy heard about it through one of her classmates at the Thai language class she’s doing.
The show we saw, on the university grounds, on the ‘Art Museum lawn’, consisted of a series of performance pieces by artists from a number of countries. East Asian, but also an older Canadian man and a German lady. As a whole, although there were a few nice moments, I found the shows a bit amateurish. All the spoken shows were done in English. Perhaps the only viable option with the international crowd, both watching and performing, but clearly also a bit of a hurdle for some of the artists, not being too fluent in this lingua franca.
Probably the weirdest moment happened during the show of a Japanese artist, most probably Teruyuki Tanaka. He first asked for four volunteers from the audience, who had to lay down on the lawn, on a sheet of plastic, and were then covered by newspapers. Then he asked for an additional 30 volunteers, who he fitted with water pistols. Next, he presented the crowd with a large wet banana leaf and two scrolls. One with the Japanese constitution and one with a Buddhist sutra.
Tanaka then started to rip up the two scrolls, sticking the individual pieces of paper onto the banana leaf. Then he produced an odd contraption, consisting of two straps, for his arms to go through, a series of twigs and, on the end of one particular twig, an upside down filled water bottle, with a small hole in the cap. After struggling with the contraption for a while to get the whole thing hoisted on to his back, with the water bottle dripping onto the banana leaf which he had picked up, Tanaka ordered the 30 volunteers with the water pistols to shoot him.
Tanaka wore a white suit and what we were spraying on him was brown, chocolate milk or coffee, or both. His twigged contraption kept shifting, he dropped the leaf a few times and his white suit was getting darker and darker. (That’s when I discovered it was much more fun to spray other participants with the chocolate milk than the artist.) Tanaka slowly and dramatically moved ahead, until he stepped over the four other volunteers still laying down on the lawn.
After he’d reached the opposite side, he threw down the leaf and the contraption, while keeping a weird rubbery bit in his mouth, climbed up a ladder and sat down. The bit turned into a bow and arrow, with which he threatened to shoot the crowds, shortly before he threw the weapon away.
As I said, quite weird.

Umbrellas from Bo Sang

Some ten kilometers to the east of Chiang Mai, you can find the village of Bo Sang, also known as the Umbrella Village because of its many paper umbrella manufacturers. We expected to find streets lined with shops and truckloads of tourists. The former, yes. The latter, no. It was, in fact, eerily quiet. We picked up a few souvenirs, including a blue paper umbrella for 2 euros.
Darn those prices.

Finally, the hash

On our fifth Saturday in Thailand, we finally made it to the hash. Last week it rained, two weeks ago we were half an hour late after they’d moved the starting time half an hour ahead just a week before due to darkness setting in earlier now it’s winter and in the weeks before that, we simply had other things to do, including recovering from a wild night at Spicy.
The run wasn’t too long, set in quiet woods some 30km out of the city. Normally, here, between the run and the circle, the hares serve homemade curry or snacks. Sadly, due to a car breakdown just hours prior to the run, the curry was now waiting for us 30 kilometers away, never to make it into our stomachs.
What did make it were, what seem to have been extremely bitter cola nuts.

Visa extension at the Golden Triangle

Back in the day when a significant part of the world’s supply of heroine and opium still came from Thailand, Burma and Laos, the provinces in these three countries close to the point where these three countries meet in the Mekong river, was called the Golden Triangle. Now, at least the Thai authorities like to make the point that all this drug trafficking is a thing of the past, this mostly the work of the princess mother, the late mother of the now aging king of Thailand.
The area is still, and probably more so now than ever before, a very popular tourist destination. It’s also possible to travel from here on to Burma, Laos and, a bit further on, China, a mere 266 kilometers away from the northern Thai border, although most package-minded tourists seem to stay on this side of the border. Not us. Because HDN simply forgot to tell me we had to get visas for Thailand -before- entering the country, at least for now we have to leave the country every 30 days. Hence our trip up north.
Interestingly, this is such common practice that visa runs to the Burmese/Myanmar border leave Chiang Mai every day of the year. The cheapest organized trip, which is basically nothing but a bus ride, costs 600 Baht (12 euros). The most expensive trip, in a private jeep with chauffeur, two days one night, taking in a lot of sights along the way, sets you back 4500 Baht, 90 euros. We ended up taking the more extensive one day trip, going past a series of sights, but also coming back on the same day.

We first were under the impression that the whole, what turned out to be, 8 person group, was on board to get a visa extension. As it turned out, this was only required for Betsy and myself and, immediately I wondered about the sanity of the other passengers. The whole trip is quite a drive, totaling perhaps some 10 hours on the road in a single day, just marginally longer than when you only do the visa run, with only relatively short stops at a few locations. Really, what’s the joy of doing this, if you can choose not to go on this trip?

The part I enjoyed most, easily, was our required trip into Myanmar. Tachilek, on the Myanmar side of the border, is clearly a much rougher town, more lawless perhaps, than Mae Sai, on the south, Thai, side of the border. On the border, after going through Thai immigration, the Myanmar side’s immigration officers exchange your passport and ten US dollars (or 500 Baht) for a one day entry permit, a piece of paper with your details on it, including a photograph they make of you at the immigration office. The permit allows you to hang out in Myanmar, buy porn videos, bear claws and tiger penises, or so I hear. Then, on your way back, you hand over the permit again and receive your passport, but not the ten dollars.

The other activities included a visit to some mildly interesting hot spring, where you could buy a small basket of raw eggs to boil them in the 80 degree water, lowering them into the spring either on a hook at the end of a long pole or by using one of the plastic baskets specifically made available for this purpose. We also visited Wat Chedi Luang in the village of Chiang Saen, from where it’s possible to go on an overnight boat trip to China.
Chiang Saen is close to the village of Sop Ruak, also known as The Golden Triangle (which is more of a tourist-targeted name if anything). That’s where the three countries meet and where we went for a boat ride, coming very close to Myanmar and disembarking on the Laotian(!) river island of Don Sao, from where we mailed a few postcards.
The last stop on the trip was a visit to a village of ‘Karen long neck women’, their dresses resembling certain northern African styles, the women having long necks due to the metal coil ‘stuck’ around their necks. According to our guide, these long neck ‘tribes’ are Akha, but they’re more generally known as ‘Karen long neck women’, where Karen refers to a particular hill tribe. They most recently hail from Myanmar, coming into Thailand only a few decades ago. Their ethnic origin lies in China.

So much for Macs

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My friend Ismail saw the battery on his MacBook die only a few months after purchase. On Wednesday, the hard disk on my MacBook crashed beyond recovery. I brought it back to the store and they won't be able to replace the drive before late next week. Great. Seriously, maybe I should have gotten a 400 euro laptop, just like Betsy did two weeks ago, instead of the more than 1000 euro MacBook. What crappy insurance policy sees me without a computer for one to two weeks?
Then again, I'll forgive them if they put Leopard on the new hard disk instead of OS X 10.4.9.

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